Alva Noë

From The Entanglement, which was published last month by Princeton University Press.

When she dances, a young child already moves her body with a sensitivity to what is expected of her. Perhaps she has seen videos of Billie Eilish or Taylor Swift; she has danced with her mom; she has a bank of personalities and images that supply her with a sense of what feels right. Remarkably, what feels right has everything to do with what would look right to others—with her sensitivity, however unarticulated, to how others would respond to her. What she actualizes is nothing less than the embodiment of choreographic ideas of which she is not the author. This is a distinctively human form of intelligence at work.

The child’s dancing is the location of what I want to call an entanglement between her native impulse to move and an artistic representation of what movement is supposed to be. We come to embody choreographic ideas when we dance. We do so naturally, and we cannot avoid doing so.

Read the full article at: harpers.org

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